TEAM 2.35 DIGITAL

Dailies
Making a first step of color on set based on primary colors for evaluation and visualization of the captured footage, performing color correction of rushes based on one light, allowing the client to receive a better quality and definition material with a grounded photography proposal.

Data Management
Administration for captured data on set, facilitating hardware, software and storage during shooting and postproduction, including footage back up on hard drives and LTO6 storage system.

Color correction
Scratch 4K projection and monitoring for 5K, 4K, 2K, Ultra HD and Full HD. Workflow design for each project according to it’s requirements and necessities, working with native data for a maximum use of footage and color depth, and maintaining the information obtained in its capture for high quality and definition. Going beyond the technical aspects, we offer conceptual contribution and assessment for the look of the film working with the Director and DP.

Finishing
Final conform, image integrating and VFX, noise reduction and sharpening features to reduce and remove visible noise, grain and compression in video footage. Mastering for broadcast television and projection in theaters.

Digital Lab
Generation of deliveries, master DCDM, DCP copies, DVD, BLURAY, masters and digital copies for web channels. Storage in LTO 6.0.

Restoration
Our services offers innovating and advanced solutions for the restoration and preservation of content from Digital Image repair and correction to Image Reconstruction and remastering. We repair image defects and rescue data that was presumed damaged or lost.

Credits Design
Titling, animation and compositing of credits, graphic design for features including press kits, posters, brochures, postcards, invitations and promotional material as needed. We also provide packages for TV series and upfront design for television networks, corporate identity and branding on set, including design of video artwork for visual interfaces and screens.

VFX
Footage handling and correction, compositing, creation of simple and complex imagery from gun shots and explosions to the design of virtual sets and environments which look realistic, but would be dangerous, expensive, impractical, or simply impossible to capture on film.